Deeply affected by graffiti art, the wall as a surface is the first public exposure. All though not at all a product of an urban life, rather an active rebellion statement against a dull agricultural village.
The school building and the near house blank walls, became a constant changing practice surface. This dull and barren environment becomes the ultimate contrast to activate the passion to react, to shout, to demonstrate, to confuse and scare the mainstream lives of the villagers.
A creative madness. A suppressed need for freedom.
Thus the overall exploration and study goes through themes of bizarre amalgamations of beings, the terror element, the fly, the mad need to escape from this extremely silent place, from this sterile life.The need to destroy this stagnation.
Though this rebellion deprives a sound scape, and the all act happens discreetly, methodically, the silence of the village works as a symbol of mandatory good behavior and gradually enhances to the mystical level.
The silence, so powerful, penetrates the artwork and becomes more like a blank area around the character, to enhance the terrifying posture . Mystic, enigmatic, unpredictable, un worldly. Like a ghost that is standing silently next to a wall yard, for the passing, unaware semi truck driver to be suddenly shocked by a creature of another universe.